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Maya & the Fog / Episode 2 / The full story

The Squelching Slime

The whole story of Episode 2, the way Maya tells it, with Leo interrupting. Read it aloud at bedtime, or follow along while you listen.

Episode 2 · Season 1About 17 minutes to read aloudAges 4–8Braver · scare 2 of 3

Maya

Floor is lava. That’s the game.

Except it wasn’t lava. And it wasn’t a game.

It’s on the bed. It’s on my bed.

Maya

Hi. It’s Maya. Welcome to Maya and the Fog.

Leo

And Leo.

Maya

And Leo. Who — before I even start —

Leo

I’d like it on the record that I was cleaning up.

Maya

You were asleep. On the floor. In a pile of Lego.

Leo

That’s one way to clean.

Maya

Okay. Before we start, I have to tell you something. Last time I said the story was scary. This one is more scary.

Not a lot more. Some more. There’s a part where I can hear it coming —

— and I can’t make it stop. And there’s a part where I have to get off the bed.

So if you have a stuffed animal — go get it. Right now. I’ll wait.

Got it? Good. Hold on tight.

Leo

Nobody needs a stuffed animal.

Maya

Leo was asleep. On the floor. For all of it. Leo also says the window was open "for air," and that the green stuff was "a reflection," and that a person can’t clean a whole room in the dark in four minutes.

I did it in three.

So… you decide.

This one’s about the night the slime came. It came in through the window. It came in with the fog. And it came for Pip.

Leo

Allegedly.

Maya

Okay. Here we go.

The floor

Maya

So. What you have to understand about our room is, there’s my side, and there’s Leo’s side, and there’s an invisible line down the middle that Leo is not allowed to cross. My side is clean. I’m not bragging. It’s just true. Leo’s side —

Leo’s side is a landfill.

Leo

It’s a system.

Maya

On that night, here is what was on Leo’s floor.

A Lego city. The whole thing — the fire station, the airport, the part he calls downtown.

Three socks. Not a pair. Three.

A granola bar wrapper.

And his blanket, half on the bed and half on the floor, like it was trying to escape.

Leo

It was a warm night.

Maya

And the window was open.

Leo

For air.

Maya

For fog. It was the foggiest night we ever had. It came in over the windowsill like it was pouring out of a jug. You could see it on the floor. Little pieces of cloud, on the carpet, in between the Lego.

Mom came in to say goodnight.

Mom

Lights out, you two. Leo. That window.

Leo

I’m building.

Mom

You’re building. At nine o’clock at night. On the floor. With the window open.

Leo

The airport needs a second runway.

Mom

Bed. Both of you. Door open or closed?

Maya

Open.

Mom

Open it is. Night, kids.

Maya

She didn’t close the window. She forgot. And Leo did not go to bed.

Leo built a second runway, and then a third runway, and then he lay down in the middle of the airport and went to sleep. Right there. On the floor. With his cheek on the fire station.

Leo

The fire station is very comfortable.

Maya

And here’s the part that’s my fault. I had Pip. Pip’s my rabbit. He’s grey, and he’s flat from being hugged, and one of his ears is longer than the other because Moose got it once. Pip sleeps on my pillow. Every night. Since I was a baby.

But that night I rolled over, and Pip fell off the bed. I heard him land. Soft. Right down on the carpet.

I’ll get you in a minute, Pip.

I didn’t get him in a minute.

And here’s the thing nobody told Leo. There’s a rule at our house that’s older than Mom’s rules. Nobody wrote it down. But Moose knows it. Every dog knows it.

Whatever’s on the floor — belongs to the floor.

Leo

That’s not a rule. That’s just a thing you said in a low voice.

Maya

Then where did your socks go?

Leo

…The dryer. Everybody knows the dryer eats socks.

Maya

They never went in the dryer, Leo.

So it’s dark now. Leo’s asleep in the airport.

Baby Lily’s down the hall making her little sleepy noises.

And Moose —

Moose isn’t in the room.

He’s outside the door. Sitting. Whining. He won’t come in. Moose always comes in.

Everything’s normal. Except for that.

The first sound

Maya

And then I hear a drip.

Not the bathroom. The bathroom drips are far away, and they go plink. This one went —

It’s coming from the windowsill. Where the fog is.

Leo. Leo, there’s something dripping.

Leo

It’s the fog. Fog is wet. That’s what fog is.

Maya

Fog doesn’t go plup.

Leo

Wet fog does. That’s science.

Maya

There it is.

Leo

I’d just woken up. I’m not responsible for anything I say when I’ve just woken up.

Maya

And then there’s a new sound. And I don’t have a word for it yet. It’s wet. And it’s slow. It’s like — you know when you step in mud with a boot, and then you pull the boot out?

That. But in the room. On the floor.

I look. I lean over and I look at the floor, and it’s just Leo’s mess. Lego. Socks. Fog on the carpet. Nothing moving. Nothing.

So I do a thing I have never done in my whole life. I turn my nightlight off. On purpose. Because sometimes you can see better in the dark.

And there’s a glow on the floor.

Green. Not bright. The kind of green a glow stick is when it’s almost done. About the size of a dinner plate. Sitting on Leo’s carpet, right where the granola wrapper was.

The wrapper’s gone.

Leo

I ate it.

Maya

You ate the bar, Leo. Not the wrapper.

Leo

…That’s a fair distinction.

It eats

Maya

It moves. Not fast. It doesn’t do anything fast. It kind of — pours itself. Toward the first sock.

The sock goes under it. And the glow is bigger.

Second sock.

Bigger.

I want to tell you it was fast, because fast is scary. But it wasn’t. And that was worse. You could watch. You could watch it decide what to eat next.

And it reaches the Lego city.

Every brick. The fire station. Both runways. Downtown.

Leo

All three runways.

Maya

All three.

And now it’s the size of a pillow. A big one. And the whole room is green, like we’re inside a fish tank. And it’s turned.

It’s turned toward my side.

Toward Pip.

Pip. Pip. No, no —

I said his name. Like that would help. Like it would hear me and think, oh — that one has a name. I’ll leave that one.

It didn’t stop.

Ears last.

Leo

…I’m sorry about Pip.

Maya

Pip’s fine. Wait for it.

And here’s what I’m thinking, sitting on my bed in the green. I’m thinking: it ate the wrapper. It ate the socks. It ate a whole city. It ate Pip. What if it eats everything? What if it eats my blanket, and my bed, and the door? What if it never, ever gets full?

The island

Maya

Okay. Here’s what I know. It eats what’s on the floor. It’s on the floor. I’m on the bed. So the bed is safe. The bed is the only safe place in the whole room.

Floor is lava.

You know that game. Everybody knows that game. You jump from the couch to the chair to the pillow, and if you touch the floor, you’re out.

It’s not a game right now.

And I can’t stop thinking things. Bad things. What if it’s faster than it looks? What if it can climb? What if I fall asleep, and I roll over, like I always do, and I fall off the bed — like Pip did — and I land right in it? What if I’m on the floor. And I belong to the floor.

And Leo is on the floor.

He’s asleep. In the airport. Except the airport’s gone, so he’s asleep in a wet spot where the airport was, with his blanket lying on the floor next to him. And the slime is — it’s about as far from Leo as I am from you.

Leo.

Leo.

LEO.

Leo

…second runway…

I don’t remember saying that.

Maya

You said it.

So I throw my pillow at him. Hard. To wake him up. And it doesn’t reach. It lands on the floor, short, halfway between us.

And the slime turns. And it goes to the pillow. And it eats the pillow.

It’s the size of a bathtub now. A whole bathtub. Full of green pudding. If the pudding was alive, and hungry, and could see you.

Moose growls. Once. Through the door. He still won’t come in.

Mom

Maya. Bed.

Maya

…I am in bed.

And that’s when it stopped going toward Leo.

It turned again. Slow. Like a big wet hand turning over.

Toward my bed.

I can hear it reach the leg of my bed. I can hear it touch it.

And then the squelching stops.

Silence.

Maya

That was next to my ear.

It’s climbing the bedpost.

My blanket. My blanket’s hanging over the side. All the way down to the floor. A blanket is a ramp.

Leo

A blanket is a ramp.

Maya

A blanket is a ramp.

Off the island

Maya

Here’s what I know. If I stay on the bed, it comes up the ramp, and then I’m on the bed with it. If I get off the bed, I’m on the floor —

— with it.

Those are the only two choices. And only one of them is a choice.

I want you to know I thought about it for a really long time. Probably a whole second.

I’m going to jump over it. Off the end of the bed, over the green part, onto the clean part of the floor, and run for the socks. That’s the plan. It’s a good plan.

And I jump.

There is no clean part of the floor.

It’s everywhere. It’s the whole floor. And I land right in the middle of it, and it’s cold — it’s so cold — and it’s up to my ankles, and it’s thick like pudding, and it’s —

— it’s got my feet. It’s got my feet, and I pull, and they don’t come. My feet are on the floor. So my feet belong to the floor.

And then it starts to climb.

Up my ankles. Up my legs. It’s cold, and it’s slow, and it’s heavy, and every bit of me it covers, I can’t move anymore. My knees. My tummy. It’s like being swallowed by a bathtub.

It’s at my chest. It’s at my chest and I can’t breathe all the way in. My left arm’s gone. I can’t feel my left arm.

It’s at my chin.

It’s cold on my chin, and I’m thinking: next is my mouth. And then my nose. And then I’ll be all the way inside it, like Pip, and nobody will ever hear me say anything again. Not even "mom."

Leo

…Maya.

Maya

I know. I’m getting to the good part.

I’ve got one arm. My right arm. It’s the only part of me that’s still mine. And there’s something sticking out of the green, right in front of me, like a flag. A sock. Leo’s sock. And I don’t know why — I don’t have a plan anymore, I just want to hold something — so I grab it, and I pull it out, and I hold it up over my head —

…And it lets go of my chin.

It got smaller. It slides down off my chest, and off my tummy, like water going out of a bath, and I can breathe again, and I can feel my arm again — and I understand. All at once, I understand the whole thing. Whatever’s on the floor belongs to the floor. So —

— what if nothing’s on the floor?

Leo

Oh no.

Maya

Oh yes.

Other sock. Smaller. Leo’s blanket — off the floor, onto his bed. Smaller. Lego. Handfuls of it. It’s inside the slime, and the slime is cold, and I put my hands right in and I pull the fire station out, and it comes out clean and dripping, and I throw it in the bin —

And it’s chasing me. It’s chasing me around the room, and it’s slower than me, and it’s angrier than me, and it’s making a sound like something trying to hurry that can’t.

Mom

Maya. Is that you cleaning?

Maya

YES.

Mom

…It’s the middle of the night.

Maya

I KNOW.

Leo

Why is it green in here.

Maya

Get on the bed. Leo. Get on your bed right now and pull your feet up.

Leo

Why —

Maya

FLOOR IS LAVA.

Leo

Okay okay okay okay —

Maya

And that’s how you get an eight-year-old onto a bed in one second. You say the magic words.

Last thing on the floor is my pillow. Down at the end of the room. And the slime’s on it, and it’s small now, small like a puddle, and it’s holding on —

And I grab a corner. And I pull.

And it’s the size of a puddle. Then a pancake. Then a coin.

And then it makes a sound like the very last of the bathwater going down.

And it’s gone.

And sitting in the wet spot where it was — flat, and soaked, and sticky, with one ear longer than the other —

Pip.

Leo

Did you… clean my side?

Maya

Yes.

Leo

…Why.

Maya

Go to sleep, Leo.

Leo

Where’s the airport.

Maya

In the bin. Where it lives now.

Leo

Good night, Maya.

Mom

Are you two okay in there?

Maya

…Yeah. Mom? Can you close the window?

Mom

The — Sure. I’ll close the window.

Maya

I put Pip on the radiator to dry. I got back in bed. I pulled my blanket up so not one bit of it touched the floor. And I did not turn my nightlight back on.

Leo

Why not?

Maya

Because in the dark, I’d see it coming.

Some guard dog you are.

Maya

In the morning the sun came up and burned the fog off the window, and Mom opened our door, and stopped.

Mom

…Who did this?

Maya

Because the room was clean. Leo’s side was clean. You could see the carpet. Mom had never seen the carpet.

Leo

Me.

Mom

You.

Leo

I clean at night now. It’s a system.

Maya

And that’s how I knew that Leo knew. Because a person who slept through it says, "what happened?" A person who saw something says, "me."

Leo

I was being helpful.

Maya

You were being quiet.

Mom

Leo, this sock is — huh. It’s wet on the outside. And dry on the inside. That’s backwards.

Leo

Fog.

Mom

Fog.

Maya

And Pip’s left ear — the long one — had gone the tiniest bit green. Just at the tip. Mom washed him twice. It didn’t come out.

And on the windowsill, where the fog had been — with the window closed, and latched, and locked —

That’s okay.

There’s nothing on the floor.

Yet.

So. That’s what happened.

Leo

That’s what she says happened.

Maya

Leo makes his bed now. Every morning. Tucks the blanket in all the way around. Not one bit touching the floor.

Leo

…That’s unrelated.

Maya

Sure it is.

See you next time. In the fog.

Questions to talk about in the morning